Mike Scott-Harding, Author at Afridiziak Theatre News

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Follow the Signs, Fleur Angevine Rooth, Chris Fonseca, Raphaella Julien, Photos by Charlie Swinbourne

Follow the Signs – review

Jazz Conversations by BOP Jazz Theatre Company (c) Punjab2000

Jazz Conversations by BOP Jazz Theatre Company – review

Why Am I So Single (c) Danny Kaan

Why Am I So Single by Toby Marlow and Lucy Moss...

The Grapes of Wrath cast at the National Theatre (c) Richard Hubert Smith

Grapes of Wrath – review

ECHO by Nassim Soleimanpour, Royal Court (c) Manuel Harlan

ECHO (Every Cold-Hearted Oxygen) – review

Ain't I A Woman, Tower Theatre

Ain’t I A Woman? – review

Racheal Ofori and Branden Cook in SKELETON CREW - Donmar Warehouse - photo by Helen Murray

Skeleton Crew by Dominique Morisseau – review

Mnemonic cast at the National Theatre (c) Johan Persson

Mnemonic by Simon McBurney – review

The Secret Garden at Regent's Park Open Air Theatre. Credit Alex Brenner.

The Secret Garden by Frances Hodgson Burnett – review:

Black is the color of my voice. Credit Rod Penn

Black is the Color of My Voice by Apphia Campbell

Bluets Kayla Meikle - credit Camilla Greenwood

Bluets by Maggie Nelson – review

Arcola - The Book of Grace (c) Alex Brenner

Book of Grace by Suzan Lori Parks – review:

Now, I See by Lanre Malaolu (c) Camilla Greenwood

Now, I See by Lanre Malaolu – review

Dugsi Dayz, Royal Court (c) Cesare De Giglio

Dugsi Dayz by Sabrina Ali – review

The company in 'The Cord' at Bush Theatre. Photo Manuel Harlan

The Cord by Bijan Sheibani – review

The Comeuppance Ferdinand Kingsley, Katie Leung, Yolanda Kettle, Tamara Lawrance and Anthony Welsh- (Almeida Theatre ) Credit. Marc Brenner

The Comeuppance by Branden Jacobs-Jenkins – review

Sharon Rose Reece Richards Love Steps Photo by Steve Gregson

Love Steps – review

OPENING NIGHT. Sheridan Smith (Myrtle), Amy Lennox (Dorothee), Jos Slovick (Gus), Benjamin Walker (Maurice) and Company. Photo Jan Versweyveld

Opening Night – review

Certain Blacks Soul on Ice The Katalyst Conversation © Sarah Hickson

The Katalyst Conversation– review

Almeida Theatre King Lear Danny Sapani and Clarke Peters Credit. Marc Brenner

King Lear – review:

Abiona Omonua (Amara) and the Company in Just For One Day at The Old Vic

Just For One Day: Review

Patrick Gibson, Giles Terera, Gbemisola Ikumelo, Sebastian Orozco and Ronkẹ Adékọluẹ́jọ́ in CLYDE'S - Donmar - photo by Marc Brenner

Clyde’s by Lynn Nottage – review

image credit: Julene Robinson inThe Night Woman. The Pit, Barbican, 2023. Image credit Chadley Larnelle.

The Night Woman by Julene Robinson – review

Mei Mac in Untitled f*ck m*ss s**gon play. (c) Richard Davenport (The Other Richard)

Untitled fck mss s**gon play – review

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//LATEST POSTS //

Disney's The Lion King celebrates 25 Years in the West End, with a special third act featuring five Rafikis from around Europe (c) Dave Bennett

DISNEY’S THE LION KING CELEBRATES 25 YEARS IN THE WEST END

Disney's The Lion King. Photo by Deen van Meer

Celebrating 25 Years of The Lion King – London’s bestselling musical

Vivienne Acheampong– interview

Mamela Nyamza, Hatched Ensemble, credit Val Adamson

Mamela Nyamza: HATCHED ENSEMBLE – review

Anna Hibiscus' Song presented by Utopia Theatre

Utopia Theatre’s Anna Hibiscus’ Song – review