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Afridiziak Theatre News
HOME
WHAT’S ON
Kiln Theatre presents Retrograde By Ryan Calais Cameron 20 April – 27 May 2023
The Wife of Willesden 14 Dec 22 – 28 Jan 23
I Am Not Black 31 Jan – 4 Feb 2023
On The Ropes 6 Jan – 4 Feb 2023
Mandela – a new musical 29 Nov 2022 – 4 Feb 2023
REVIEWS
KURIOS – Cirque Du Soleil – review
You Can’t Understand by India Wilson – review
SIX – The Musical – review
On the Ropes – review
Newsies – review
INTERVIEWS
David Albury | Get Up, Stand Up!
Cleopatra Rey | Get Up, Stand Up!
Ewa Dina and Sarah Jordan Verghese | We Rise
Cleopatra Rey – interview
David Albury – interview
NEWS
Kiln Theatre announces the world premiere of Ryan Calais Cameron’s Retrograde
Cast of For Black Boys to host The Stage Awards 2023
Support the Blacktress UK Crowdfunder
Genesis Theatre Design Programme Launches to increase representation
Announcing the winners of the 26th Alfred Fagon Award
COMPETITIONS
OFFERS
Access Discounted Tickets to see I Am Not Black
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Posts by Christina Nicole
Christina Nicole
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Ewa Dina and Sarah Jordan Verghese | We Rise
The Royal Ballet: A Diamond Celebration – review
Best of Enemies – review
A Christmas Carol: review
Kat B | Mother Goose
Agatha Christie’s Witness for the Prosecution – review
Blues for an Alabama Sky – review
Diane Page | Yellowman
Yellowman – review
Zodwa Nyoni | The Darkest Part of the Night
Cirque Du Soleil’s Corteo – review
Sule Rimi | Jitney
Legally Blonde – review
Inua Ellams | 05 Fest
Small Island – review
Dame Floella Benjamin – interview
Moulin Rouge – review
Cirque du Soleil’s LUZIA ‘A Waking Dream of Mexico’ – review
Giles Terera – interview
Sold – review
Ryan Calais Cameron (Writer) and Tristan Fynn-Aiduenu (Director)
Get Up, Stand Up! The Bob Marley Musical – review
Llewella Gideon | The Long Song
Back to the Future – review
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//LATEST POSTS //
KURIOS – Cirque Du Soleil – review
Kiln Theatre presents Retrograde By Ryan Calais Cameron 20...
Kiln Theatre announces the world premiere of Ryan Calais Cameron’s Retrograde
You Can’t Understand by India Wilson – review
SIX – The Musical – review